I am crazy about two colours: carmine and cobalt. Cobalt is a divine colour and there is nothing so beautiful for creating atmosphere. Carmine is as warm and lively as wine… the same with emerald green. — Vincent van Gogh
This wonky Friday portrait is just what I needed… a bit of craziness during pandemic times. I am having so much fun with these portraits, and I was long overdue. Today I used a Zebra Brush Pen from Pilot that I bought at JetPens. Everything is written in Japanese on the pen, so I can’t really read what is written. It gives a thicker line that I usually use and gives it a caricature-like quality which goes well with the model that I chose.
Paper: Pentalic Aqua Journal 8″ x 5″ Watercolours: Burnt Umber, Burnt Sienna, Q. Gold, Alizarin Crimson & Ultramarine Pen: Zebra Brush Pen Fine LINK
Study nature, love nature, stay close to nature. It will never fail you.” — Frank Lloyd Wright
I have been living in the same house now for 17 years, our longest time up to now, with my husband. Our first house we lived in was for 9 years, then our second house was 6 years, then another one for 4 years, then a temporary place for 2 years while we were constructing this one, and now 17! Huh-huh!You must by now be guessing my age -))) The reason we have lived in this one for so long is very easy. I love nature, being surrounded by trees, birds, critters great and small. I love the quietness of this place and the huge lot.
So my quest today was to do a portrait study and I wanted to find someone who looked a bit flamboyant… and the beard did it! I am slowly getting back into my watercolours but I still have a way to go to feel utterly comfortable with this wonderful medium.
I also cleaned up my palette, and squeezed some new juicy colours into it. A clean palette does not last long as it gets dirty really quick — well for me anyway, and it is a thing of beauty. DS means Daniel Smith, W&N means Winsor & Newton, H means Holbein… Some painters classify their colours by cold/warm. I don’t. I classify them as if they were on a colour wheel… it must be my years of teaching colour theory.
Paper: Pentalic Aqua Journal 8″ x 5″ Watercolours: Mostly Cobalt Blue, Lemon Yellow, Burnt Sienna, some Gold Green Fountain Pen: Pilot Namiki SEF Ink: DeAtramentis Black Document Ink
I’ve looked at clouds from both sides now From up and down and still somehow It’s cloud illusions I recall I really don’t know clouds at all — Joni Mitchel songwriter, musician, poet and so much more.
Solstices and equinoxes mark the four movements in a celestial score. Summer Solstice marks the time of the longest day and the beginning of summer. In centuries past, Midsummer’s Eve was seen as one of the times that the fairies were supposed to come out and dance. — By John Forti, The Heirloom Gardener
I followed a workshop that was entirely in gouache and here is my first try. Decades ago when I was a young graphic designer, we used to work with gouache to do touch-ups in page layout and illustrations. I remember that I used to tint the white gouache so that its colour was exactly the same as the paper that I was working on. Here is a link to the workshop, if you are interested. LINK. What is really interesting in gouache, as opposed to watercolours, is that you can paint light on dark and dark on light. This makes it a really interesting medium and more versatile than watercolours but the colours are mostly opaque. It was very interesting to paint with this medium today. I am looking forward to my next painting.
Paper: Strathmore Toned Tan Paper, 12″ x 9″ Gouache: Winsor & Newton Zinc White, Lemon Yellow, Yellow Ochre, Burnt Sienna, Alizarin Crimson, Cerulean Blue, Ultramarine & Phthalo Green.
Who loves trees best? I, said the spring, Their leaves so beautiful to them I bring. Who loves the trees best? I, summer said, I give them blossoms, white, yellow, red. Who loves the trees best? I, said the fall, I give luscious fruits, bright tints to all! Who loves the trees best? I love them best, harsh winter answered, I give them rest. — The Pearl Story Book” by Ada. M Skinner
Well, I have finally retired and now I will have more time to paint, draw, play music, read… and just relax.. anyway that is the plan for the moment. So I am slowly prepping back up and will be back soon on this blog to make it come alive again. Been too long. This pandemic has been too long. Here is a painting that I did in 2020… and I still love it!
“When we learn our mother tongue, we acquire certain habits of thought that shape our experience in significant and often surprising ways.” — Guy Deutscher, Linguist, University of Manchester, UK
I thought of Radio Gaga, Radiohead then I thought about radio waves, then wavelengths for this prompt. This will be my last Inktober drawing for this week as tomorrow I have to prep for my classes! I am hoping that next weekend I might find time to continue the Inktober challenge, which is always fun.
What a semester it has been! I am finding it a difficult semester as I have had to reconfigure all of my classes in order to teach online. I have had to double the amount of prepping, correcting, duplicating of assignments to reach the highest number of students… and it is exhausting. Answering way more individual questions, setting up break-out rooms for groups of students, correcting on the spot… and the list goes on.
The government here in Québec does not seem to care at all about teachers as in fact, Cégep “college” teachers have never stopped teaching since March 13, 2020. On March 16 we immediately converted to online teaching and have been since. Even though it is really nice to be here at home as I do not have to drive in, I would much rather be in class… BUT only if there is a vaccine right? No vaccine, it would be impossible as at John Abbott we have no air ventilation… we have recycled air, we cannot open the windows and the air quality is not at all healthy even in non-Covid times so imagine now.
Prejudice is a burden that confuses the past, threatens the future and renders the present inaccessible. — Maya Angelou
Inktober’s day 3 prompt is bulky and I decided to exaggerate proportions… small head with a big body. I could have done the contrary too… big head, small body but I decided to stick with my first idea.
Paper: Japanese Album Ink: Dr. Ph. Martin’s Black Star Matte Brush: Kuretake Water Brush Set
Study nature, love nature, stay close to nature. It will never fail you.” — Frank Lloyd Wright
Today’s prompt is “wisp” and when I read it I immediately thought of these long beautiful chinese calligraphy brushes…. which someone brought back from Shanghai as a present to me. Below you will find the tools that I will be using for the Inktober Challenge this year. I have decided to use Kuretake Water Brushes and to fill them up in advance with a dilution of 30% black, 60% black. This way I will have consistent grey values.
Going from left to right at top of image. • Small container with a mix of water and black ink; • Dr. Ph. Martin’s Black Star Matte • Dr. Ph. Martin’s Pen-White • _____ to wripe off excess ink from brush • 4 Chinese calligraphy brushes on top of green water container Bottom of image. • Eyedropper for adding ink • Dip pen • 3 Kuretake brush pens filled up with different % of mix (small, medium and large size) • Platinum Desk Pen EF DP1000AB plus convertor, Red, Japan
Paper: Japanese Album Ink: Dr. Ph. Martin’s Black Star Matte Brush: Beautiful chinese calligraphy brush
I’m very sane about how crazy I am. — Carrie Fisher
In these pandemic times, drawing is good for you, especially since I have been sitting at the computer for long hours since the semester began and it is making me a bit stir-crazy! Drawing seems to liberate me from my troubles… in these troubled times — hah-hah!
The 2020 Inktober challenge began today and the prompt was “fish”… so I thought of a big cosmic fish at 10:00 pm tonight… not much time for drawing it, but still am happy with the result. The important factor is that I had fun and that it was good for me. If I have the time tomorrow I will scan it in instead of taking a quick photo with my iPhone. I will stick to a black and white theme this year with different values of grey…. if I find the time…
Paints: Dr. PH.Martin’s Pen-White & Black Star Matte Paper: Moleskine Japanese Sketchbook Brushes: Kuretake Water Brushes
This week marks William Shakespeare’s birthday. Shakespeare, who was born in 1564, endured a life chequered by outbreaks of plague. Seven hundred years later, it still rings true! To mark this some of Britain’s most famous Shakespearean actors, including Dame Judi Dench, read from Richard II. Here are the lyrics…. and if you would like to hear them played out by Dame Judy Dench — a real treat — , just go and view it on the excellent news show BBCNewsnight.
KING RICHARD II I have been studying how I may compare This prison where I live unto the world: And for because the world is populous And here is not a creature but myself, I cannot do it; yet I’ll hammer it out. My brain I’ll prove the female to my soul, My soul the father; and these two beget A generation of still-breeding thoughts, And these same thoughts people this little world, In humours like the people of this world, For no thought is contented. The better sort, As thoughts of things divine, are intermix’d With scruples and do set the word itself Against the word: As thus, ‘Come, little ones,’ and then again, ‘It is as hard to come as for a camel To thread the postern of a small needle’s eye.’ Thoughts tending to ambition, they do plot Unlikely wonders; how these vain weak nails May tear a passage through the flinty ribs Of this hard world, my ragged prison walls, And, for they cannot, die in their own pride. Thoughts tending to content flatter themselves That they are not the first of fortune’s slaves, Nor shall not be the last; like silly beggars Who sitting in the stocks refuge their shame, That many have and others must sit there; And in this thought they find a kind of ease, Bearing their own misfortunes on the back Of such as have before endured the like. Thus play I in one person many people, And none contented: sometimes am I king; Then treasons make me wish myself a beggar, And so I am: then crushing penury Persuades me I was better when a king; Then am I king’d again: and by and by Think that I am unking’d by Bolingbroke, And straight am nothing: but whate’er I be, Nor I nor any man that but man is With nothing shall be pleased, till he be eased With being nothing. Music do I hear?
Paper: Hand•book journal co. 8″ x 8″ #26
Ink: Lexington Grey
Fountain Pen: Pilot Penmanship EF
Watercolours: New Gamboge, Q. Gold, Ceruleant Blue, Ultramarine, Q. Rose, Q. Burnt Orange, etc.
On the Painter’s Keys website I found this little gem and thought that I would share it with you. It resonated with me as it is true that we are low consumers and thrive in quiet spaces. We know how to work for love? Wow! That is sooo true… I cannot paint something that I do not love. It has to come from the heart first, and if I love it, I know that I will paint it well…
I’m willing to bet my last roll of toilet paper that the 99% of artists the world is currently digging professional graves for will not all perish in the age of isolation. We have low overheads. And our worldly needs are modest. We know how to work for love. Many of us are poor consumers. We also thrive in the quiet spaces, which means our ideas are being given the opportunity to improve. We are all at home, now. If part of art’s function is to explore our universal human experience, home is our current, unifying theme. — Painter’s Key
I am definitely in need of some greenery as this painting attests to. Here in Québec, or at least where I live, there is hardly any green yet. I painted this little old house as I followed Shari‘s online class… she motivates me to continue!
Paper: Hand•book journal co. 8″ x 8″
Ink: DeAtramentis Document Black
Namiki Fountain Pen SEF
Watercolours: New Gamboge, Q. Gold, Cobalt Blue, Ultramarine, Q. Rose, Q. Burnt Orange