I am crazy about two colours: carmine and cobalt. Cobalt is a divine colour and there is nothing so beautiful for creating atmosphere. Carmine is as warm and lively as wine… the same with emerald green. — Vincent van Gogh
This wonky Friday portrait is just what I needed… a bit of craziness during pandemic times. I am having so much fun with these portraits, and I was long overdue. Today I used a Zebra Brush Pen from Pilot that I bought at JetPens. Everything is written in Japanese on the pen, so I can’t really read what is written. It gives a thicker line that I usually use and gives it a caricature-like quality which goes well with the model that I chose.
Paper: Pentalic Aqua Journal 8″ x 5″ Watercolours: Burnt Umber, Burnt Sienna, Q. Gold, Alizarin Crimson & Ultramarine Pen: Zebra Brush Pen Fine LINK
Who loves trees best? I, said the spring, Their leaves so beautiful to them I bring. Who loves the trees best? I, summer said, I give them blossoms, white, yellow, red. Who loves the trees best? I, said the fall, I give luscious fruits, bright tints to all! Who loves the trees best? I love them best, harsh winter answered, I give them rest. — The Pearl Story Book” by Ada. M Skinner
For two days now I have been painting under Shari‘s wonderful guidance a stillwater view of a lake.
I struggle with every painting that I do and I guess that this is part of the fun and the excitement of it all? If it were easy, would I keep at it? Would it keep me challenged enough to find it interesting? I don’t think so. I must say that I will always question my competence, as this is part of my temperament. The key to learning and improving is to keep on doing it, without taking long breaks as I am doing… with the Covid-19 situation, my life has changed a bit and underneath my apparent calmness, there is a struggle and anxiety that is there. Today and tomorrow it will be there too. So because I have not painted in a while, I felt rusty and of course I redid the same scene three times… not once, twice but three times! And talk to any artist, and they know what I am talking about.
So if you can, I would be really interested in knowing which one of these three paintings that you love best? And could you let me know? As I am very curious -) Top one is A, middle is B and lower one is C.
Have a heart that never hardens, a temper that never tires, and a touch that never hurts. — Charles Dickens.
I wish you health, love, wisdom & a long life!
Learning from the Masters such as Winslow Homer is illuminating! I discovered that I could mix the colour Burnt Umber, which is a brown, into the sky which I would never have done otherwise. I also learnt that all of his colours are muted, except for the woman’s hat, the sky, the sea and the date tree. I really enjoyed painting this. In a way it is much easier to imitate than to actually paint on one’s own as all of the figuring out has already been done for you. This one is for you Gaétan!
Paper: Stillman & Birn, gamma series, 6″ x 9″
Colours: New Gamboge, Raw Sienna, Pyrrol Crimson, Raw Umber, Cobalt Blue & Ultramarine
Original painting: Winslow Homer 1836-1910 “Along the road in the Bahamas
I wonder if the snow loves the trees and fields,
that it kisses them so gently?
And then it covers them up snug,
you know, with a white quilt;
and perhaps it says
‘Go to sleep, darlings, till the summer comes again.’ — Lewis Carroll, Through the Looking-Glass and What Alice Found There (1871).
The winter solstice, also known as midwinter, is an important day for us in the northern hemisphere as this is the day that has the longest night and the shortest day of the year… so this means that tomorrow the days are starting to grow longer… already! Ancient cultures viewed this day as a day of death and rebirth. This fills my heart up with joy as the promise of spring is coming, even if it will not appear before mid-April. And to add to this day, there will be a full Cold Moon.
Here is another beautiful poem by the great Ursula K. Le Guin
HOW IT SEEMS TO ME In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self and both are free and can return to vastness and dissolve in light, the long light after time.
— Ursula K. Le Guin
“I’d rather be a could-be if I cannot be an are; Because a could-be is a maybe who is reaching for a star. I’d rather be a has-been than a might-have-been, by far; For a might-have-been has never been, but a has was once an are.” (Milton Berle)
If I had one place to hang out on weekends in Montreal, surely this would be one of the places. You have it all! The waterfront, bike trails, old beautiful buildings, entertainment, great restaurants, tons of activities, exhibitions of all kind, a marina and I pass. And these beautiful vintage old silo buildings which are part of Montreal’s history!
What has roots that nobody sees is taller than trees, up up it goes and yet never grows? — J.R. Tolkien in Bilbo the Hobbit
I really juggled with the idea of participating in the #OneWeekOneHundredPeople Challenge by Marc Taro Holmes and Liz Steele. Some of the reasons why I am reticent is that first I have tons of correcting to do and I wonder how I will find the time to draw 100 people. Also, drawing people is intimidating for me, and I lack practice so I thought what better way than to practice this skill? I did have to muster up my courage though.
So after having thought about it for awhile, I decided that for my first day I would find a photograph on the net of people sitting in a café where there would already be 20 people there. So one painting, 20 people, instead of several small paintings… yeah! A kind of a warm-up exercise.
A few months ago I had folded a huge 30″x22″ Bockingford 140 lbs sheet the way that Cathy Johnson teaches it on YouTube. If you would like to see how she does this, it is quite simple in reality and gratifying too! You can view it here. So this is the sketchbook that I am using today to fill with my 100 people -)))
So this is a warmup exercise as tomorrow I will be in Montreal and I might not find the time… so this means that on Wednesday I’ll do 40! On Wednesday I am planning on going in the afternoon in the mall at Fairview Pointe-Claire. So if some of you would like to join me, I will be there, sketching away.
Paper: Bockingford 30″x22″ folded 7.5″ x 5.5″
Watercolours: Q. Gold, Cobalt Blue, B. Sienna, Mineral Violet
They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods.Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few.) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. But there is no road through the woods.
— Rudyard Kipling
Winter has finally arrived and I greet it with a mixture of trepidation and awe as I actually enjoy all of our four seasons here in Québec. This weekend will be a busy one as I have student projects to correct, I am thrilled to be part of the Square Foot Art Exhibition on Saturday from 11:00 to 4:00 pm and I do hope to see some of you there. This is one of the paintings that will be on exhibit. Hope that you enjoy it.
As some of you already know, I love trees. I painted this majestic white pine two weekends ago while autumn was still in bloom right here in Rigaud. Does this poem bring you back to childhood?
Why do you paint? For exactly the same reason I breathe. — E.E. Cummings from Brainpickings.org
These Inktober themes are really challenging me as I usually am more of an Urban Sketcher, meaning that I try to paint what I see in my environment and not through the computer screen, nor photographs and oh my, certainly not from my imagination! Well, not anymore as these themes have to be found within me and then drawn or painted as I see fit… they are never close to what I had in mind, but I think that the correlation between my imagination and my pen is improving.
I drew in pencil first, as I do not have the courage for now to go straight to ink pen as I usually do, and then I went over with my Hero 573 Fube Nib Fountain Pen. I originally thought to keep this in a monochromatic black theme, but I got carried away as usual… some buildings in the distance, a road and this “crooked” person stealing an innocent bystander.
Paper: Stillman & Birn Zeta Series sketchbook #20
Pen: Hero 573 Fube Nib with De Atramentis Document Black Ink
Location: Rigaud, Québec, Canada from my imagination
#Inktober 8 Crooked Theme
La Barre and other Musicians 9 May 1663. At Mr Jarvas’s my old barber, I did try two or three borders and periwigs, meaning to wear one, and yet I have no stomach for it, but the pains of keeping my hair clean is so great. He trimmed me, and at last I parted, but my mind was almost altered from my first purpose, from the trouble that I foresee will be in wearing them also.
I have been reading a booklet entitled: Costume in Art by the National Gallery in London and the themes are quite funny sometimes as you can read in the above two paragraphs. Every century has its own moments of pain…
Met up with two of my sketching friends, Mai & Linda at my Cegep today. The weather was gorgeous and the friendship too! I was also glad to give a tour of my beautiful campus and in the afternoon we moved on to the McGill part of the campus to sketch some farm silos. Had a nice day.
Paper: Hand•book Field watercolour journal
Colours: Q. Gold, B. Sienna, B. Umber & Ultramarine
Location: Cégep John Abbott College, Québec, Canada
A perfect summer day is when the sun is shining, the breeze is blowing, the birds are singing, and the lawn mower is broken.
— James Dent
In the beautiful Jack Layton Park in Hudson I sat at one of their picnic tables and pondered how I would paint the magnificent view right in front of me. The Mont Calvaire perched high up, the Ottawa River lapping at my feet and no boats ringing in my ears… heaven -) The wind was feisty and my papers kept blowing about, but ohhh isn’t plein air painting all about this?
Today is the summer solstice and it is always something to honour as I feel that living in the northern regions of North America, you cannot take summer for granted — you cherish it. The longest day of the of year is today, and it is important! Tonight I will sit on my back porch and look at the stars as past 21:00 it will still be light -) I will remember these moments in December on the shortest day of the year…
When I got back home I looked at my painting and thought that there was something wrong with it… until I realized that I had to glaze the clouds with a golden colour. So a wash of Raw Sienna was added on top of my painting for the clouds only and that made it. A much softer result. See the bottom painting without the glaze, the top painting has it.
Paper: Handbook Sketchbook 10″ x 7″
Colours: Q. Rose, Raw Sienna, Burnt Sienna, French Ultramarine
Location: Jack Layton Park in Hudson, Québec, Canada