All along the lee shore Shells lie scattered in the sand Winking up like shining eyes at me From the sea Here is one like sunrise It’s older than you know It’s still just lying there, where some careless wave Forgot it long ago When I awoke this morning Dove beneath my floating home Down below her graceful side in the turning tide To watch the sea fish roam There I heard a story From the sailors of the Sandra Marie There’s another island It’s a day’s run away from here It’s empty and free From here to Venezuela There’s nothing more to see Than a hundred thousand islands Flung like jewels upon the sea For you and me Sunset smells of dinner Women are calling at me to end my tails But perhaps I’ll see you, the next quiet place I furl my sails — A small tribute for David Crosby
Any artist will tell you, a complicated painting needs simplifying and a certain amount of study. I have this complicated painting to do and first of all the perspective is challenging. So I had to work on it. I found the horizon line first (where the eyes of the viewer “photographer” were) and traced a horizon line. Then with a ruler acting as a pivot, I found my two vanishing points. There are actually three, but I winged that one (the vertical one).
Then I drew the scene in small thumbnail size, about 4″ x 3″, and then painted in the different values with Payne’s Grey. Yes, I have used a pencil for this, as I think that it would be impossible for me to paint in direct watercolours. Some painters might be able to, but not I.
Now let’s hope that tomorrow the final result is somewhat good. We’ll see -)))
Paper: Moleskine Sketchbook 4″ x 6″ Watercolours: Graham Payne’s Grey
For a strong composition, you want the values to be in quite different amounts, not similar. Try this rule to start: two-thirds, one-third, and a little bit. — Marion Boddy-Evans
This is a quick way to see if a painting will pull it off, without having to spend time on a painting that lacks contrast or composition or something else…
In a sketchbook, I created a thumbnail about 2″ x 2″. I quickly sketched the shapes (not the textures) and then created a low, mid and high-value tone painting, with only one colour. In this instance, I used Payne’s Grey as it is capable of very dark values and very light values. It is also quite staining. I painted over the entire area with the lightest of values, reserving the whites, and then painted over with the mid and darker values. I can now see where some darks should be darker and where lights are necessary. The second door on the left-hand side should have a darker value but everything else seems about right. So next step is to draw it on full-size watercolour paper and then paint it.
By the way, I am totally loving my retirement! When I wake up in the mornings, I still cannot believe it! After having worked all of my life on one job and another for over 50 years, mostly full-time, some part-time, some jobs that I totally hated and some that I loved, to now have the luxury of time, I am grateful!!! And the best job that I ever had was teaching for 27 years in the public sector and the best employer was Cégep John Abbott College for 21 years!
Paper: Moleskine Sketchbook #25 Colour: W&N Payne’s Grey Ink: Noodler’s Lexington Grey Fountain Pen: Pilot Penmanship, Clear, EF Nib, Japan (8$) bought at http://www.JetPens.com
This must be one of the first paintings that I have done that has no trees, anywhere. I always try to manage putting in a tree or two as for me, these are very important beings. Apart from protecting us from the wind, cleaning up the air, giving us shade in the summer and sap in the spring, they are giants that we should revere.
So this station has a lot of cables, wires, gas, oil, wood, motors and pumps of all kinds… for some people, this is heaven. For others, not so much. But this makes for an interesting landscape. The hydro pillar looks like a cross, and maybe that it is a symbol for our energy devouring societies. What made me want to paint this was the magnificent sky and the cables whirling everywhere.
I looked up the word “cross” in the dictionary and it has so many different meanings. A crucifix, a burden to bear, a crossbreed, to travel across, a span, an intersection, to oppose, to hybridize. Man! So many different meanings with one word. The beauty of the English language.
Went out for a really nice lunch with a girlfriend today and we talked non-stop for 2-1/2 hours. Good, warm feelings.
Paper: Moleskine Sketchbook #25 Watercolours: Raw Sienna, Q. Gold, Alizarin Crimson & Ultramarine Blue Ink: De Atramentis Black Document Ink Fountain Pen: Platinum Carbon
Using a triad of colours, you can get a myriad of colours just by mixing them… from greys to browns to greens to purples. The sky was painted with Prussian Blue, in its pure form and the side of the sidewalk was painted with Burnt Sienna. Everything else is a mix of the three basic colours. Amazing how you can get so many colours out of only three. The red, Pyrrol Scarlet, was added for the rent sign. I chose one cool colour and two warm colours for this painting, but I could have chosen all warm or all cold for different results.
Colours: Raw Sienna, Burnt Sienna & Prussian Blue Paper: Moleskine Sketchbook Ink: De Atramentis Document Black Ink Fountain Pen: Platinum Carbon
Thousands of candles can be lighted from a single candle, and the life of the candle will not be shortened. Happiness never decreases by being shared. — Hermann Hesse
For this day I give you two versions of a poppy field. Just to remember the braves of our country and to hold them in our thoughts. My husband prefers the first one on the left, and I think that I prefer the one on the right. Which one do you like? Just curious… Y a-t-il y a une peinture que vous préférez entre les deux? Si oui, laquelle?
Remembrance Day is a memorial day observed in Commonwealth member states, and many countries around the world, since the end of the First World War to honour armed forces members who have died in the line of duty. Hostilities formally ended “at the 11th hour of the 11th day of the 11th month” of 1918.
Paper: Moleskine Watercolour Sketchbook #25 Colours Left: DS Q. Gold, DS Raw Sienna, W&N Cerulean Blue, DS Prussian Blue Colours Right: DS Q. Gold, DS Raw Sienna, W&N Cobalt Blue, DS Prussian Blue Fountain Pen: Platinum Carbon Pen Ink: DeAtramentis Document Ink Black