Why do you paint? For exactly the same reason I breathe. — E.E. Cummings from Brainpickings.org
These Inktober themes are really challenging me as I usually am more of an Urban Sketcher, meaning that I try to paint what I see in my environment and not through the computer screen, nor photographs and oh my, certainly not from my imagination! Well, not anymore as these themes have to be found within me and then drawn or painted as I see fit… they are never close to what I had in mind, but I think that the correlation between my imagination and my pen is improving.
I drew in pencil first, as I do not have the courage for now to go straight to ink pen as I usually do, and then I went over with my Hero 573 Fube Nib Fountain Pen. I originally thought to keep this in a monochromatic black theme, but I got carried away as usual… some buildings in the distance, a road and this “crooked” person stealing an innocent bystander.
Paper: Stillman & Birn Zeta Series sketchbook #20
Pen: Hero 573 Fube Nib with De Atramentis Document Black Ink
Location: Rigaud, Québec, Canada from my imagination
#Inktober 8 Crooked Theme
La Barre and other Musicians 9 May 1663. At Mr Jarvas’s my old barber, I did try two or three borders and periwigs, meaning to wear one, and yet I have no stomach for it, but the pains of keeping my hair clean is so great. He trimmed me, and at last I parted, but my mind was almost altered from my first purpose, from the trouble that I foresee will be in wearing them also.
I have been reading a booklet entitled: Costume in Art by the National Gallery in London and the themes are quite funny sometimes as you can read in the above two paragraphs. Every century has its own moments of pain…
Met up with two of my sketching friends, Mai & Linda at my Cegep today. The weather was gorgeous and the friendship too! I was also glad to give a tour of my beautiful campus and in the afternoon we moved on to the McGill part of the campus to sketch some farm silos. Had a nice day.
Paper: Hand•book Field watercolour journal
Colours: Q. Gold, B. Sienna, B. Umber & Ultramarine
Location: Cégep John Abbott College, Québec, Canada
A perfect summer day is when the sun is shining, the breeze is blowing, the birds are singing, and the lawn mower is broken.
— James Dent
In the beautiful Jack Layton Park in Hudson I sat at one of their picnic tables and pondered how I would paint the magnificent view right in front of me. The Mont Calvaire perched high up, the Ottawa River lapping at my feet and no boats ringing in my ears… heaven -) The wind was feisty and my papers kept blowing about, but ohhh isn’t plein air painting all about this?
Today is the summer solstice and it is always something to honour as I feel that living in the northern regions of North America, you cannot take summer for granted — you cherish it. The longest day of the of year is today, and it is important! Tonight I will sit on my back porch and look at the stars as past 21:00 it will still be light -) I will remember these moments in December on the shortest day of the year…
When I got back home I looked at my painting and thought that there was something wrong with it… until I realized that I had to glaze the clouds with a golden colour. So a wash of Raw Sienna was added on top of my painting for the clouds only and that made it. A much softer result. See the bottom painting without the glaze, the top painting has it.
Paper: Handbook Sketchbook 10″ x 7″
Colours: Q. Rose, Raw Sienna, Burnt Sienna, French Ultramarine
Location: Jack Layton Park in Hudson, Québec, Canada
Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation. (Hans Jean Arp)
When I want to see huge, beautiful skies there is one place to go in my region and it is just between Rigaud and St. Clet. The skies are always luminous, grand and silent as they stretch west towards the sunset surrounding St. Polycarpe and St. Telesphore! I must have painted this sky many times up to now and here it is an older post. There is always a sense of awe that chokes me a bit in front of these immense skies… an inner peace.
I have been cooped up in the house for the past four days as the flu has hit us… the sniffles, coughing, sneezing and nose blowing type of sessions where you just want to lie down and sleep, and when it is time to sleep, you are wide awake! Have you ever had this? In a sense my husband and I were well timed as it started one day apart from each other, so I did not feel guilty binging on Netflix.
Paper: Handbook Travelogue Journal 8″x5″
Colours: Burnt Sienna, Q. Rose, Raw Umber & French Ultramarine
Location: Route 201 between Rigaud and St-Clet, Quebec, Canada.
“Nothing awakens us to the reality of life so much as a true love,”
— Vincent van Gogh wrote to his brother.
On Sunday July 10th the MontrealUrban Sketchers have been invited to a Picnic Vernissage Day at Stewart Hall’s Cultural Centre in Pointe-Claire. Stewart Hall is situated in a gorgeous historic mansion and is a unique cultural venue located on the bank of Lake Saint-Louis. Everyone is invited to sketch with us on that day starting at 10:00 am. It is an absolutely stunning spot to sketch, in all seasons! To note that this date replaces the fourth Sunday for the month of July.
• 10:00 am START: on the lawn at the right side of the main entrance. • 2:00 pm INVITATION: The vernissage of the exhibition Suspended Time – Caroline Cloutier & Joëlle Morosoli will take place on the 3rd floor, in the Art Gallery. Everybody is invited to go upstairs at 2 p.m. • 3:00 pm END: we will gather on the patio facing the lake to share our drawings. • There will be two very impressive performances on the stage that day as well, (at noon and at 3 pm), it could be an interesting thing to draw as well! • In the event of rain, there is a room on the first floor that has been reserved for us; we will still have a nice view over the lake and everything; (but let’s cross our fingers that it won’t rain!) • Directions Stewart Hall on Google Maps: LINK
Hope to see you there -)))
Le dimanche 10 juillet 2016, les Urban Sketchers de Montréal sont invités à participer à un pique-nique Vernissage au Centre culturel Stewart Hall de Pointe-Claire. Stewart Hall est une demeure historique sur un lieu enchanteur situé aux abords du Lac Saint-Louis. Tout le monde est invité à esquisser avec nous ce jour-là à partir de 10h00. Un endroit absolument magnifique pour faire des croquis, en toutes saisons! À noter que cette journée remplace le quatrième dimanche du mois de juillet.
• 10h00 DÉBUT: on se rencontre à droite de l’entrée principale sur le parterre. • 14h00 INVITATION: Le vernissage de l’exposition Les temps suspendus – Caroline Cloutier and Joëlle Morosoli se tiendra au 3e étage, dans la galerie d’art. Tout le monde est invité. • 15h00 FIN: nous nous rencontrerons sur le patio face au lac St-Louis pour partager nos croquis/dessins/peintures et voir ce que les autres ont croqué. • Pendant cette journée il va y avoir deux performances, une à midi et l’autre à 15h00 qui pourraient être fort intéressantes à peindre aussi. • Dans l’éventualité de pluie, il y a une pièce qui nous a été réservée face au lac au rez-de-chaussée. • Directions Stewart Hall sur Google Maps: LINK
Happy New Year :: Health, love, wisdom & a long life.
Here in Rigaud the winter light is crisp and we are under a foot deep of white snow and even the birds seem to be rejoicing. At least 12 goldfinches are perched on one feeder and the constant to and fro of the chickadees and nuthatches makes looking out the window a marvel of fluttering wings. I love this.
I will not be talking about resolutions for the new year but a bit about continuing to do what I do well in life and stop doing what I am not very good at… This past semester was a difficult semester for me and I had to fight against low energy levels and lethargy and I am becoming more mindful of the energy required to create on a regular basis. If I am to create on a regular basis, I need to keep my energy levels high and not get caught up in the drudgery of deadlines and meetings at school, which become futile in the long run for me in these senior years.
Je ne parlerai pas de résolutions personnelles pour la nouvelle année mais plutôt de continuer à faire les choses que je fais bien dans la vie et d’arrêter de faire les choses que je suis moins bonne — ou au moins essayer de m’améliorer. Je voudrais atteindre une régularité artistique. Je deviens de plus en plus consciente de l’énergie nécessaire pour créer de l’art sur une base régulière, et ceci veut dire que je dois garder mes niveaux d’énergie élevés et ne pas me laisser prendre dans la turbulence de réunions dramatiques et de la corvée des échéanciers à l’école, qui deviennent à mon âge, futiles.
“Art washes away from the soul the dust of everyday life.” ― Pablo Picasso
Boy oh Boy was finishing this painting difficult… I painted it three times, without much success. This got me thinking… why is it that this painting’s mystery could not be solved? Well, I do have a few answers. First, the building was backlit and hardly had any shadows, so the lighting was not very good (first important lesson). Second, I started a new sketchbook and the paper is fine (even though I am not used to it) and the paper dimensions are throwing me off. It is 5.5″ x 8.5″ and I rarely paint in this ratio. Anyway, this painting is either too wide in landscape mode and too thin portrait mode. Excuses, excuses, I know!
Sapristi que j’ai eu de la misère à finir cette peinture. Je l’ai repeinte trois fois, et je suis toujours insatisfaite. Ceci m’a fait penser… pourquoi est-ce que j’ai eu tant de misère? Bien j’ai une couple de réponses. Premièrement, cet édifice faisait dos au soleil, donc tout à l’ombre qui est la première règle à éviter. Deuxièmement, je viens de commencer un nouveau cahier à croquis (le papier est bien) mais les dimensions me rendent mal à l’aise. La dimension est trop étroite mode portrait et trop large sur la largeur. Je sais, excuses, excuses!
Paper: Stillman & Birn Beta Colours: Aureolin Yellow, Rose Madder, Cobalt Blue Fountain Pen: Pilot Penmanship EF Ink: Noodlers’ Lexington Grey Location: Maison Smith, Parc of Mount Royal, Montreal, Québec, Canada
If you desire to draw, that you may represent something you care for, you will advance switfly and safely. If you desire to draw, that you make a beautiful drawing, you will never make one. — John Ruskin, Artist & Observer by Christopher Newall
We are quite lucky here in Montreal as there are many activities that are out there for artists to join, free of charge. Today was the first time that I joined Linda Drewry (I hope that I have spelled her family name correctly…) who is the person that organizes plein air days during the summer months in the Montreal area. She has been organizing these for the past 20 years! Here is a link to her blog and if ever you feel like joining us in these endeavours, you are most welcome -) We went to the Bois de Liesse today in Pierrefonds (my father used to call Pierrefonds “RockBottom” -) and Chi Mai, Linda Denis and myself painted houses that are privately owned which are on the grounds of this estate. Quite charming place.
Les artistes sont chanceux à Montréal car il y a beaucoup d’activités qui sont gratuits et intéressants. Aujourd’hui je me suis joint à Linda Drewry qui organise depuis 20 ans des journées plein air tout au long de l’été où plusieurs artistes peignent ensemble avec toutes sortes de médium différents. Aujourd’hui nous nous sommes retrouvés au Bois de Liesse à Pierrefonds et Chi Mai, Linda Denis et moi-même avons peint une des maisons qui ont des propriétaires privées mais qui sont situées sur les terrains de ce bois. Un bel endroit à découvrir…
Paper: Stillman & Birn Beta
Colours: Aureolin Yellow, Burnt Sienna, Cobalt Blue
Fountain Pen: Pilot Prera F
Ink: Noodlers’ Lexington Grey
Location: 9432 Gouin West, Pierrefonds, Québec, Canada
“Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom.” ― Marcel Proust
Went to the Redpath Museum today with the Montreal Urban Sketchers group and we were very glad to be indoors as it is still -20C. This group is made up of a very nice bunch of people and the museum is very generous of its assorted exhibits of indigenous & prehistoric animals, shells, minerals, world culture (ethnological) artefacts — a true natural history museum. I was glad to meet some old painting acquaintances.
Aujourd’hui nous avions notre rendez-vous mensuel des Sketchers urbains de Montréal au Musée Redpath de Montréal. Il faisait très froid dehors, -20C, donc nous étions tous bien contents d’être au chaud. Le musée Redpath est un musée d’histoire naturelle qui est assez incroyable… les espèces indigènes, préhistoriques, coquillages de toutes sortes, minéraux, culture ethnologique avec beaucoup d’artéfacts!
Paper: Handbook Journal
Colours: French Ultramarine, Raw Sienna, Burnt Sienna
Fountain Pen: TWISBI Classic EF
Ink: Noodlers Lexington Grey
All knowledge cannot be expressed in words, yet our education is based almost exclusively on its written or spoken forms. But the artist, dancer, and mystic have learned to develop the nonverbal portion of intelligence. ― Robert Ornstein, american psychologist
I will mention something that has become quite evident for me over time, but when you are drawing, you should always start drawing with the foreground objects first and the background objects last… especially when you are drawing with indelible ink. That way you do not get caught crossed over lines that should not have been! This is a farm on Route 201 in St. Clet, Québec, Canada.
Mon expérience en dessin m’amène à partager ce que j’ai appris au fil du temps… quand vous dessinez, surtout avec une plume indélibile, toujours commencer par les objets qui se trouvent en-avant et finir avec ceux qui sont dans le fond… de cette façon vous allez éviter de faire des lignes qui ne doivent pas apparaître!
Paper: Travelogue Sketchbook
Colours: Raw Sienna, Burnt Orange, Alizarin Crimson, Cobalt Blue
Pen: TWISBI Classic EF
Ink: Noodlers’ Lexington Gray