The object of art is not to reproduce reality, but to create a reality of the same intensity. — Alberto Giacometti.
Here in Rigaud, Québec, Canada it snowed for the very first time yesterday and I woke up to a fairyland of white, fluffy, beautiful snow. The opposite of this painting from sunny Mexico! This is a typical Mexican scene, with the old cars, antennas, brightly coloured buildings and beautiful tiled roofs. It pays off to do the greyscale value thumbnails and the hue values also beforehand, even though today I did not respect my triad and went all out with many colours. The facade of the building is in Raw Sienna, but if I had to do it over, I would use Yellow Ochre which is an opaque colour with a bit of Q. Gold… it would make it livelier… but hey! I think that it is lively enough. Hope that you enjoy it. The sky is in a diluted Prussian Blue and it could have been a bit darker… but so much for that. It is finished, yeah!
Paper: Fabriano Artistico CP 140 lbs, 8″ x 8″ Colours: Mostly Hansa Light, Raw Sienna, Burnt Sienna, Alizarin Crimson, Cobalt Blue, Prussian Blue Fountain Pen: Platinum Carbon Ink: De Atrramentis Document Black Ink.
Each generation imagines itself to be more intelligent than the one that went before it, and wiser than the one that comes after it. George Orwell, taken from the wonderful Painter’s Keys website
Line drawing was just done for a friend, which I will soon be painting. The lead lines are for the shadows. Once the drawing is done, the excitement of adding colours begins. I am playing with Raw Sienna or Yellow Ochre, also French Ultramarine or Cobalt… hum… questions, questions…
This must be one of the first paintings that I have done that has no trees, anywhere. I always try to manage putting in a tree or two as for me, these are very important beings. Apart from protecting us from the wind, cleaning up the air, giving us shade in the summer and sap in the spring, they are giants that we should revere.
So this station has a lot of cables, wires, gas, oil, wood, motors and pumps of all kinds… for some people, this is heaven. For others, not so much. But this makes for an interesting landscape. The hydro pillar looks like a cross, and maybe that it is a symbol for our energy devouring societies. What made me want to paint this was the magnificent sky and the cables whirling everywhere.
I looked up the word “cross” in the dictionary and it has so many different meanings. A crucifix, a burden to bear, a crossbreed, to travel across, a span, an intersection, to oppose, to hybridize. Man! So many different meanings with one word. The beauty of the English language.
Went out for a really nice lunch with a girlfriend today and we talked non-stop for 2-1/2 hours. Good, warm feelings.
Paper: Moleskine Sketchbook #25 Watercolours: Raw Sienna, Q. Gold, Alizarin Crimson & Ultramarine Blue Ink: De Atramentis Black Document Ink Fountain Pen: Platinum Carbon
Using a triad of colours, you can get a myriad of colours just by mixing them… from greys to browns to greens to purples. The sky was painted with Prussian Blue, in its pure form and the side of the sidewalk was painted with Burnt Sienna. Everything else is a mix of the three basic colours. Amazing how you can get so many colours out of only three. The red, Pyrrol Scarlet, was added for the rent sign. I chose one cool colour and two warm colours for this painting, but I could have chosen all warm or all cold for different results.
Colours: Raw Sienna, Burnt Sienna & Prussian Blue Paper: Moleskine Sketchbook Ink: De Atramentis Document Black Ink Fountain Pen: Platinum Carbon
Permit the brain to separate from the hand. Soften your vision, focus beyond and before. Allow yourself to be “entranced” by your work. Feel a “process” rather than an outcome, and… Live in the life of the brush, chisel, roller. — Painter’s Keys
September 1st already and I am really not ready for autumn! After many months of not painting nor drawing, the deadline was today. So to get out of this artistic break as we might softly say, I decided to choose my most difficult challenge. Faces!!! I was never good at these, and I would like to be better, and with practice I know that I will, and that goes for everyone.
There are many flaws in this drawing, but especially in the painting values. They are all either too vibrant or too soft… it is a question of getting back into watercolours also, to test the value of the wash and know when I put down my brush it has the correct value. The proportions of the face are too long or not wide enough. The hues are not diverse enough, but hey! This is how we learn. To analyze what is wrong, and to rectify for the next painting. And persevere and move forward.
I have been following for years the “Queen” of drawing faces, and she is found here. You will see that she is quite amazing… makes it look so bloody easy -)))
Paper: Pentalic Aqua Journal 8″ x 5″ Watercolours Fountain Pen: Pilot Namiki SEF Ink: DeAtramentis Black Document Ink
“All human beings have three lives: public, private, and secret.” — Gabriel García Márquez
Here in Québec, elementary schools, high schools and daycare centres have been in lockdown since Monday March 16th… and most businesses too… but not College nor University teachers. We have been teleworking, quite hard I might say, on making sure that our students “can” do the work from the safety of their homes while progressing with their multiple courses. My third years have just started their 3-week Stage period by teleworking also. I know that students are anxious and can’t wait to meet up with their friends, but we have all told each other that we would never complain again of having to go back to school or work — hah-hah!
I have had to adjust and the first two weeks were very stressful, but now I am getting quite used to it. It is never as rewarding as being in the classroom with your students, but my days are passing without any major hurdles and I feel more relaxed as time seems to have slowed down… and sometimes it stops… and I can feel the rush of air… and I catch my breath and look up at the sky. No planes… only birds flying in and out, swirling in the air.
I took the time to draw this little old house from a picture on Pinterest that I found interesting and I have also registered for Shari Blaukopf’s online class, Mattias Adolfsson’s online class and a special class on Procreate with Roman Garcia Mora. Maybe that I overdid the classes thing, but there are great deals at the moment and it is always nice to learn… isn’t it?
Paper: Hand•book journal co. 8″ x 8″
Ink: DeAtramentis Document Black
Namiki Fountain Pen SEF
One of my friends Chi Mai sent me a photograph of a Fisherman’s Hut and I drew it, quite quickly, with a dip pen and some brown ink. Just feels good to stop being online and drawing a tad… now back online to continue prepping for my classes that are officially starting tomorrow.
Là où va la main, l’oeil suit;
Là où va l’oeil, va l’esprit;
Là où va l’esprit, se trouve le coeur;
Là où se trouve le coeur, est la réalité de l’être,
Le siège de l’âme.
The Rigaud woods today are beautiful on a sunny and spring-like day! The shadows are long and deep and the birds are feeding, spring is definitely in the air. I am quite rusty with my paints as I have not painted in a very long while because of my job workload… but now I am beginning my March break and I will have some time to paint… well at least I hope so. But you know how life gets in the way of our plans, huh? We will see by the end of the week what happens and I will keep you posted.
Fountain Pen: Platinum Carbon Desk Fountain Pen EF, Black, Japan
Ink: DeAtramentis Document Black Ink (waterproof)
Colours: Raw Sienna, Burnt Sienna, Pyrrol Crimson & Cobalt blue
Location: Rigaud, Québec, Canada
Listening to Radiohead’s Kid A album, Rigaud is awash with sleets of ice rain, bouts of rain and some snow… perfect temperature to stay warm inside and get back to some drawing. Are you like me? I tend to read many books at the same time and I am reading four at the moment… each book lives in a specific room, reflecting that rooms ruminations. One of the books that I am reading gives me peace and tranquillity and a deep longing for spring to finally arrive… after the icy winter that we have just endured.
“Braiding Sweetgrass, an Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants” by Robin Wall Kimmerer opens up a world for the mind, body, emotion & spirit and is a hymn to the world. Here is an excerpt:
“…I come here to listen, to nestle in the curve of the roots in a soft hollow of pine needles, to lean my bones against the column of whit pine, to turn off the voice in my head until I can hear the voices outside it: the shhh of wind in needles, water trickling over rock, nuthatch tapping, chipmunks digging, beechnut falling, mosquito in my ear, and something more — something that is not me, for which we have no language, the wordless being of others in which we are never alone. After the drumbeat of my mother’s heart, this was my first language. Listening in wild places, we are audience to conversations in a language not our own…”.
Paper: Stillman & Birn, 9″ x 6″, Gamma series
Fountain Pen: Pilot Falcon SEF
Ink: DeAtramentis Document Black Ink
Location: Rigaud, Québec, Canada