Handbook Travelogue – Painting to see : Peindre pour voir

It is wonderful to feel the grandness of Canada in the raw,
not because she is Canada but because she’s something sublime that you were born into,
some great rugged power that you are a part of.
— Emily Carr

Here is a small sketch of today’s small pleasures… with a small clip. We are leaving in April and I am preparing my painting paraphernalia. It grows and shrinks as I put in stuff and then take it out! Hah! The story of my life, I should say. The question of the day was: “How many clips should I bring? And what size clip should I bring?” It seems as if today, I do have time on my side. I had the time to ask myself these silly and mundane questions, but still necessary questions for a painter. Just imagine. When I think of people all over the world that are going through a rough patch, war, hunger, migration, poverty… Emily Carr’s quote feels so real to me, as I have been blessed living here.

It’s not what you look at that matters,
it’s what you see.
— Henry David Thoreau

What better way than to paint what you long for? This painting is vastly overdone in many places, but I am happy with it. I like the grunginess of it all. It is very characteristic of what I have seen throughout my travels in Greece. Some of my shadows are not the right colours and some are too intense. I could call myself an eager painter as I paint in haste.

Paper: Travelogue Handbook 8″x 8″
Colours: Yellow Ochre, Q. Gold, Q. Rose, Cobalt Blue, Prussian Blue, B. Sienna
Fountain Pen: Pilot Penmanship Fountain Pen, Clear, EF Nib, Japan
Ink: Noodlers Lexington Grey (bulletproof), my favourite colour