Red Poppies… at last!

Violence is the last refuge of the incompetent.
— Isaac Asimov

Yesterday’s black and white poppies were just too sad. So I had to paint them today.

Paper: Moleskine Sketchbook
Fountain Pen: Pilot Penmanship  Fountain Pen, Clear, EF Nib, Japan
Ink: Noodlers Lexington Grey (bulletproof), my favourite colour
Watercolours: DS Cobalt, DS Green Gold, DS Cadmium Red, DS Alizarin Crimson, Payne’s Grey

Compromise or surrender?

Come, come, whoever you are.
Wanderer, worshipper, lover of leaving – it doesn’t matter,
Ours is not a caravan of despair.
(Rumi)

I have been furiously scribbling away while waiting on the phone for the credit card company to fix my compromised card.A full 2 hours later, it has been done at last! So in want of a better means of entertainment, I just scribbled away while looking at a photo. I think that he reflects my state of mind… LOL -) Purchases were made on the credit card that I was not even aware of. Thankfully, the fraud department saw through it, and I have not been charged… phew! I wonder why they use the term “compromised” but hey! I won’t argue with them.

Moleskine Sketchbook
Fountain Pen: Pilot Penmanship  Fountain Pen, Clear, EF Nib, Japan
Ink: Noodlers Lexington Grey (bulletproof), my favourite colour

To have spunk…

“Study nature, love nature, stay close to nature. It will never fail you.”
— (Frank Lloyd Wright)

Even though this dog is unknown to me, he has spunk! Like many small dogs that I know, they are fierce little creatures when taunted and show courage and determination. I like his badass attitude when painting, but I really do not enjoy when they constantly bark at you. LOL -) My own big Golden Retriever is nothing like this. He is soft, gentle, intelligent, never barks (or hardly) and is very affectionate. He is also getting very old, on our daily walks he lags behind and is walking very very slowly. I fear that not much time is left for our big guy.

Paper: Pentalic Sketchbook
Colours: [W&N] Yellow Ochre, [W&N] Payne’s Grey and [DS] Alizarin Crimson

Just a little push…

I want to remind you that regardless of the turmoil you have in your life, or the errands, or daily tasks, it’s important that you stop and make a sketch, even if you only spend 10 minutes on it. That connection to your creativity will bring you back each day to your creativity. It will help you stay limber for those days when you might actually squeeze in an hour (gasp!)
— https://rozwoundup.com

Sometimes what you need is just a little push and you start doing it. I have been busy, yes busy, but not busy enough to stop drawing or painting as it fills your heart and purpose in life. So I just needed this little push and https://rozwoundup.com/ did it for me.

Here are some of her words, and I thank her.

So here is a dog that she painted that I drew, in gratitude.

Tiny steps to take for a rewarding painting… hopefully!

Creativity takes courage.
— Henri Matisse

There are many steps in painting. Long gone, for me anyway, are the days where the teacher would tell us, let yourself go, drop the paint on the page and see what happens. This method is clearly not for me. However, I do have two methods that I will share with you today.

Paintings that I do, just for the pure pleasure of painting them, are my most common method. I pick a photograph that I like that I have already photographed at some point in time, and I usually paint these in a sketchbook, directly, without any preliminary sketches or thumbnails. And because I do not create these important preliminary thumbnails, they often fall short!! To note, the photographs need to have a significant meaning for me, as in reflecting previous travels or closer to home when I am feeling at sync in my own environment… if the photograph does not have a specific meaning for me, it usually always falls flat.

In the second method, which is usually because I am painting for someone else in mind, like today, I again choose an image from my vast collection of photographs and then I draw carefully first in pencil. Once the drawing has been done, I then have two other steps that I usually do for a serious painting and for my own satisfaction. I create a greyscale “monotone” thumbnail to test out values, to see how they add up. For this version, I used an intense colour that is quite staining but does a good job with values as it is a very intense colour in its pure form. This step also helps me in determining what is important in the painting, and what is less important. If you look at my previous drawing, you will notice that I have a lot of details, and this step might help me afterwards if I decide to paint it a second time, with less detail…

What should always be done is first and foremost, value thumbnails and then hue thumbnails and only then the drawing, which I am regretting not having done at the moment. Sigh…

I then also try out different colours or hues seen below. For these two thumbnails, 2″ x 2″ approximately, on the left-hand side I used Cobalt blue and Raw Sienna as the main two colours. On the right-hand side, I used Prussian Blue and Yellow Ochre. Is there one that you prefer?

As you can see I drew first and then did my greyscale values and hues after having drawn… if I had done my greyscale thumbnails and values first, my drawing would definitely be less laboured and with less detail. Artists are usually tenacious and very hard-working and only stop once they are satisfied, well for me anyway, but looking at my artist friends, they are all like this.

Hope that you enjoyed this longer detailed post. Have a nice snow day -)

Paper: Moleskine Sketchbook #25
Watercolours: DS Raw Sienna, W&N Yellow Ochre, DS Q. Rose, W&N Burnt Sienna, W&N Cobalt Blue, DS Prussian Blue, DS Carbazole Violet

Prepping & Thinking

Each generation imagines itself to be more intelligent than the one that went before it,
and wiser than the one that comes after it.

George Orwell, taken from the wonderful Painter’s Keys website

Line drawing was just done for a friend, which I will soon be painting. The lead lines are for the shadows. Once the drawing is done, the excitement of adding colours begins. I am playing with Raw Sienna or Yellow Ochre, also French Ultramarine or Cobalt… hum… questions, questions…

:: Moe’s Rusty Day ::

Permit the brain to separate from the hand.
Soften your vision, focus beyond and before.
Allow yourself to be “entranced” by your work.
Feel a “process” rather than an outcome, and…
Live in the life of the brush, chisel, roller.

— Painter’s Keys

September 1st already and I am really not ready for autumn! After many months of not painting nor drawing, the deadline was today. So to get out of this artistic break as we might softly say, I decided to choose my most difficult challenge. Faces!!! I was never good at these, and I would like to be better, and with practice I know that I will, and that goes for everyone.

There are many flaws in this drawing, but especially in the painting values. They are all either too vibrant or too soft… it is a question of getting back into watercolours also, to test the value of the wash and know when I put down my brush it has the correct value. The proportions of the face are too long or not wide enough. The hues are not diverse enough, but hey! This is how we learn. To analyze what is wrong, and to rectify for the next painting. And persevere and move forward.

I have been following for years the “Queen” of drawing faces, and she is found here. You will see that she is quite amazing… makes it look so bloody easy -)))

Moe’s Haircut

Paper: Pentalic Aqua Journal 8″ x 5″
Watercolours
Fountain Pen: Pilot Namiki SEF
Ink: DeAtramentis Black Document Ink

:: Teleworking ::

“All human beings have three lives: public, private, and secret.”
— Gabriel García Márquez

Here in Québec, elementary schools, high schools and daycare centres have been in lockdown since Monday March 16th… and most businesses too… but not College nor University teachers. We have been teleworking, quite hard I might say, on making sure that our students “can” do the work from the safety of their homes while progressing with their multiple courses. My third years have just started their 3-week Stage period by teleworking also. I know that students are anxious and can’t wait to meet up with their friends, but we have all told each other that we would never complain again of having to go back to school or work — hah-hah!

I have had to adjust and the first two weeks were very stressful, but now I am getting quite used to it. It is never as rewarding as being in the classroom with your students, but my days are passing without any major hurdles and I feel more relaxed as time seems to have slowed down… and sometimes it stops… and I can feel the rush of air… and I catch my breath and look up at the sky. No planes… only birds flying in and out, swirling in the air.

I took the time to draw this little old house from a picture on Pinterest that I found interesting and I have also registered for Shari Blaukopf’s online class, Mattias Adolfsson’s online class and a special class on Procreate with Roman Garcia Mora. Maybe that I overdid the classes thing, but there are great deals at the moment and it is always nice to learn… isn’t it?

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Paper: Hand•book journal co. 8″ x 8″
Ink: DeAtramentis Document Black
Namiki Fountain Pen SEF

:: Fisherman’s Hut ::

You can never do too much drawing.
— Tintoretto

One of my friends Chi Mai sent me a photograph of a Fisherman’s Hut and I drew it, quite quickly, with a dip pen and some brown ink. Just feels good to stop being online and drawing a tad… now back online to continue prepping for my classes that are officially starting tomorrow.

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Pen: Dip Pen
Ink: Noodler’s Ink #41 brown

:: Drawing from imagination ::

“Art washes away from the soul the dust of everyday life.”
— Pablo Picasso.

I love this quote as this is how drawing makes me feel… a kind of rejuvenated self! Well last night I felt like drawing a flower and started… and then I turned my sketchbook upside down and my imagination just took over… the political situation between the USA and Iran must have influenced my hand as it is almost an apocalyptic scene with an innocent dog looking up. Hope that you enjoy it nearly as much I had fun doing it.

One of the best advice that I have received is from James Gurney where he suggests to anyone that wants to learn how to draw or paint. “…alternate between sketching from life as in “plein air” or urban sketching, working from the imagination & copying from the Masters”. Great advice from a dedicated artist.

Pen: Platinum Desk Pen EF DP1000AB
Ink: De Atramentis Document Black Ink
Sketchbook: Moleskine Art Sketchbook

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