Forgive us now for what we’ve done
It started out as a bit of fun
Here, take these before we run away
The keys to the gulag
Lift up your voice, lift up your voice
— O Children by Nick Cave
As some of you surely know, once you have’nt painted in a while, you need to put colours in your eyes… a weird way of explaining it but to me it makes a lot of sense. I guess that I mean that I have to saturate my eyes with colours. I actually test out colour combos, which by the way I love to do and need to do.
To bring you back further in time, I had a recent conversation with some water colour artists on choosing and painting with reds… and the responses were quite diverse.
The two reds that I decided to test out were my two favourite ones of course – hah-hah! Daniel Smith’s Pyrrol Crimson and Daniel Smith’s Q. Rose. One of the reasons that I love these two colours is that they only have one pigment… not a mix of pigments. Some water colour artists sometimes wonder why their colours turn to mud? Well, that is one of the reasons… when mixing too many pigments together at the same time, they turn a mushy brow…
The six squares represent the colour at 100% (top left) then a mix of Q. Gold, then with New Gamboge, Cobalt Blue, Ultramarine Blue and Cerulean Blue. I picked only primary colours to test this out, yellows and blues to see the variants in colour.
All in all, both colours are valuable and the combos even more so. The Pyrrol Crimson gives off richer hues and the Q. Rose gives more summery and bright hues… it all depends what you are painting, when and where on this beautiful planet. Let’s keep it beautiful, huh? Nick Cave & P. J. Harvey have been my musical muses these past few weeks -)))
Paper: Hand•book journal co. pocket landscape
Location: Rigaud, Québec, Canada