Chemin St-Thomas

Every time that I bring my dog to the “daycare” I pass in front of these grain silos… and every time I tell myself that I should paint these… so after cleaning the house this morning, I picked up the paints and went. So for this drawing I began by drawing the landscape with a 0.7 mm mechanical pencil by Pentel and then I painted. In the end, I retraced some of the lines with my Pilot FlexiGrip EF fountain pen.

À chaque fois que j’apporte mon chien à la garderie, je passe en-avant de ces silos de grains et à chaque fois, je me dis que je devrais les peindre… donc les voici. -)

Colours: Cadmium Yellow, Yellow Ochre, Cerulean Blue, Prussian Blue and Burnt Sienna
Paper:  Trav•e•logue series watercolor journals by Hand•book Journal Co.
Size: 8.25″ x 8.25″
Ink: Noodlers Lexington Grey
Pen: Pilot Flexi Grip EF

20130810_ChStThomas

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About Jane Hannah

Canadian graphic artist, painter, sketcher, typographer, calligrapher and teacher at Cégep John Abbott College in Québec, Canada. Jane Hannah also has a website for her students at www.gimligraphics.com and a main blog at www.janehannah.com. She is also part of the Montreal Urban Sketchers.
This entry was posted in Sketches / Drawings / Paintings, Urban Sketching and tagged , , , . Bookmark the permalink.

6 Responses to Chemin St-Thomas

  1. Jane says:

    Thank you Shari :: I had to test it out many times before I got it pat… -)))

    Like

  2. Great perspective on this one Jane!

    Like

  3. Lynn says:

    Effectivement Jane, tu as bien réussi le point de fuite! As-tu aimé ton atelier avec Marc Holmes? Il semble vraiment bon pédagogue!

    Like

    • Jane Hannah says:

      Merci Lynn — Marc a été superb! Tellement que je me suis inscrite à un cours de 10 semaines avec lui à Montréal… j’ai hâte -) Juste ce que je me recomandais auparavant… LOL!

      Like

  4. Angmacleod says:

    You got the vanishing point down pat, I want to walk down that road! Great colours!

    Like

    • Jane Hannah says:

      Thank you Agnes? It took me a couple of tries before getting the vanishing point… phew! Luckily I do a series of compositional thumbnails beforehand and also a couple of value sketches. So this prevents major errors along the path — yeah! So I am really glad if the perspective works ’cause I really struggled with it.

      Like

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